The Odyssey warns against seeing in dreams what we want to see.
Among the many gifts of Homer’s two epic poems are vital insights into the nature and meaning of dreams, insights that are still relevant today. The story of The Odyssey was preceded by The Iliad, whose dream references provide a helpful context for the later tale.
In just the second book of The Iliad, a god-sent dream plays a pivotal role. However, in this case the dream is a cruel deception sent by Zeus to the Greek leader Agamemnon, encouraging him to launch an attack he is destined to lose. This incident in The Iliad, one of the most influential works of all antiquity, shows that people of this time were aware of the danger of believing too easily in the pleasing fantasies of dreams.
Women Dreamers
The dreams reported in The Odyssey all come from women, and they all have multiple dimensions of meaning. The first comes to Queen Penelope, the wife of Odysseus, who falls into despair when she realizes her son Telemachus has secretly left home to seek his long-lost father. That night the goddess Athena sends Penelope a dream in the reassuring form of her sister to deliver a message of comfort and reassurance. When Penelope awakens she feels remarkably better, “her spirit warmed now that a dream so clear had come to her in darkest night” (4.945-946). This is a slightly deceptive dream, in that an external agent deliberately shapes a familiar dream image to elicit a specific emotional reaction from the dreamer. The result is clearly favorable for the dreamer, and yet the story also provides the audience with a higher critical awareness of the subtle dynamics of external (divine) influences on the dreaming process.
Athena is also behind the next dream reference. She sends a dream to Nausicaa, a young princess, using the form of Nausicaa’s best friend who urges Nausicaa to go to the river to wash her finest clothing in readiness for her wedding day. When Nausicaa awakens, “still beguiled by her dream” (6.54), she goes with her laundry to the river, and there she suddenly encounters a wild, magnificent, naked man—Odysseus himself. The great warrior is lost and alone, and so Athena has helpfully sent a dream that puts the king’s daughter in an amorous mood and guides her to where she, and only she, will find Odysseus and personally escort him back to the safety of the royal palace.
This is a dream that in its primary purpose is intended by Athena to serve the needs of Odysseus, not Nausicaa. Athena is using Nausicaa as a means of enabling Odysseus to continue his journey home. And yet, the dream does not harm or mislead the dreamer. It may even help her in prompting a greater degree of self-awareness of her latent romantic desires. The goddess, the warrior, and the princess all benefit from this dream in different ways.
The Odyssean Fallacy
The most dramatic dream scene in The Odyssey occurs near the end, when Odysseus finally returns home after twenty years but does not yet reveal himself to his wife Penelope. Disguised as a beggar, he meets with Penelope to gain information about the brutish men, the “suitors” (108 of them), who have invaded his palace to press their affections on the apparently widowed Penelope. During this meeting, the queen shares a dream with the beggar. “Listen closely,” she says (19.603). In the dream, she tends her twenty geese—“I love to watch them all” (19.605)—when suddenly a mountain eagle swoops down and kills all the geese, then flies away again. Then a voice in the dream says, the geese are the suitors and Odysseus the eagle, about to return and kill them all.
When Penelope finishes, the beggar/Odysseus instantly replies, “Dear woman, twist it however you like, your dream can only mean one thing” (19.625-626): death to the suitors. But Penelope says, “Ah my friend, dreams are hard to unravel” (19.630), and she goes on to give a remarkable speech about the two gates of dreams, one of ivory for false dreams and one of polished horn for dreams “fraught with truth, for the dreamer who can see them” (19.638).
The meaning of Penelope’s dream and her two gates speech depends on what we think is happening between these two people. If we accept that Odysseus has successfully disguised his identity from Penelope, then we are likely to accept his interpretation, wonder at her puzzling resistance, and regard the subsequent slaughter of the suitors as validating his reading of her dream.
However, if we remember that Penelope has proven herself to be the most savvy and intelligent of women, a different possibility emerges. She does know who the beggar really is, and she poses her dream to him as a riddle. The twenty geese in her dream, in this view, symbolize not the 108 suitors, but the twenty years that Odysseus has been gone from her and their family, fighting in someone else’s war. He has killed those twenty years of their life together—does he see that? Does he see her?Sadly, no. He sees what he wants to see, in what I call the Odyssean Fallacy of dream interpretation. He offers a self-validating analysis of her dream that ignores her lived reality and foregrounds his own selfish desires. Penelope’s two gates speech, in this reading, is a subtle but unmistakable way of saying he has failed her test. Immediately after this, she announces the contest of the bow and axes. He could have won her back right then if he had properly understood her dream; now, alas, he must prove himself in another, much more dangerous way.
Not all retellings of The Odyssey include these dream scenes. But the oneiric wisdom in these passages from Homer’s ancient epics continues to shape and inspire the way we think about dreams today.
Note: this first appeared in Psychology Today, July 15, 2026.

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