<?xml version="1.0" encoding="UTF-8"?><rss version="2.0"
	xmlns:content="http://purl.org/rss/1.0/modules/content/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:atom="http://www.w3.org/2005/Atom"
	xmlns:sy="http://purl.org/rss/1.0/modules/syndication/"
	
	>
<channel>
	<title>
	Comments on: Werner Herzog&#8217;s &#8220;Cave of Forgotten Dreams&#8221;	</title>
	<atom:link href="https://bulkeley.org/werner-herzogs-cave-forgotten/feed/" rel="self" type="application/rss+xml" />
	<link>https://bulkeley.org/werner-herzogs-cave-forgotten/</link>
	<description>Dream Research &#38; Education</description>
	<lastBuildDate>Sat, 04 Jun 2011 17:25:21 +0000</lastBuildDate>
	<sy:updatePeriod>
	hourly	</sy:updatePeriod>
	<sy:updateFrequency>
	1	</sy:updateFrequency>
	<generator>https://wordpress.org/?v=6.4.3</generator>
	<item>
		<title>
		By: Anne Hill		</title>
		<link>https://bulkeley.org/werner-herzogs-cave-forgotten/#comment-363</link>

		<dc:creator><![CDATA[Anne Hill]]></dc:creator>
		<pubDate>Sat, 04 Jun 2011 17:25:21 +0000</pubDate>
		<guid isPermaLink="false">http://bulkeley.org/?p=1888#comment-363</guid>

					<description><![CDATA[I loved Cave of Forgotten Dreams! Herzog&#039;s excellent use of the immersive 3D experience not only gives viewers a near-realistic view of the paintings, it creates an almost lucid imagining of the painter&#039;s reality some 30,000 years ago. 

I too was struck by the juggler-turned-archaeologist who dreamed of lions nonstop after visiting the caves. But what really held my attention was how the film crew worked together in silence, using handheld lights and cameras, to cast shadows on the undulating walls and thus create movement from utter stillness. Their presence in the frame was not a distraction, but rather served to heighten the sense of traveling back through millennia into a dream time.]]></description>
			<content:encoded><![CDATA[<p>I loved Cave of Forgotten Dreams! Herzog&#8217;s excellent use of the immersive 3D experience not only gives viewers a near-realistic view of the paintings, it creates an almost lucid imagining of the painter&#8217;s reality some 30,000 years ago. </p>
<p>I too was struck by the juggler-turned-archaeologist who dreamed of lions nonstop after visiting the caves. But what really held my attention was how the film crew worked together in silence, using handheld lights and cameras, to cast shadows on the undulating walls and thus create movement from utter stillness. Their presence in the frame was not a distraction, but rather served to heighten the sense of traveling back through millennia into a dream time.</p>
]]></content:encoded>
		
			</item>
	</channel>
</rss>
